In Stephen Cone’s “Henry Gamble’s Birthday Party”, a 40-something mother of two about developed children, admits to her little girl, “Something happened to me and I’m not certain what I’m turning into.” Every single one of the 20 characters has a comparable minute at some point throughout Henry’s party, which happens over an evening and night. Stephen Cone is a humanist; he can’t resist the urge to see that each individual, even those we may discount as “sorts,” has many-sided quality.
This may seem like “Henry Gamble” is a bleak mental show, however it’s most certainly not. It’s an unruly, regularly funny, and precisely built tale around a high school kid beginning to scrutinize his sexuality amidst his Evangelical Christian world. Rather than keeping the attention firmly on Henry, Cone broadens the extension, giving every character a one of a kind circular segment.